Was just getting a little practise for the race this Sunday, unfortunately I didn't have my tripods with me so the lighting is a bit off. Oh well it helped me learn alot for Sunday
Haha, was on my lenses max aperture of F4 and I didn't wanna get to slow on the shutters and start blurring them. It was probably my bad doing it so late in the arvo when the sun sets over the hills on the old east coast, and shooting the bottom of the track, but I guess it was more just seeing the track since it's had all the work done on it. I'm hoping I can balance it as you say on Sunday thoughLooks way too hard on the flash mate, dial down the power, and open up the shutter a little to bring some more ambient light in. Looks as though it will be a real balancing act but if you get it right it could look sweet!
If the place was fairly dark at the time, a slower shutter combined with a flash would have still frozen the rider, as flashes usually emit for something like 1/200 or 1/150 (someone call me out if I'm wrong). This means you should expose for the background, then just shoot the shot when the rider is in mid air. The rider would have been frozen by the flash and the background properly exposedand I didn't wanna get to slow on the shutters and start blurring them.
You might've bumped the shutter dial so it's 1-stop under. Does the exposure compensation slider thingy (that looks like this |---2---1---0---1---2---| on the screen) have the point set to the negative side of zero?I'm having a problem with my aperture priority setting. Basically it always exposes -1 and it is really annoying. I have a feeling It is something I did ages ago when I wanted it but now I don't know how to change it back.
It's called EV comp. Look in your manual for how to reset it.Yeah that's what I mean and it's on the -1 exposure. I just remembered what I've done and your right, thanks. How's the water proof housing going?
I think I had it on 500 haha, I get scared I'm gonna wreck the photo when I play with ISO settings only time I felt comfortable was those gig shots haha. I think I might do a couple with higher ISO next time if you reckon though.Bump up the ISO...
If the place was fairly dark at the time, a slower shutter combined with a flash would have still frozen the rider, as flashes usually emit for something like 1/200 or 1/150 (someone call me out if I'm wrong). This means you should expose for the background, then just shoot the shot when the rider is in mid air. The rider would have been frozen by the flash and the background properly exposed
Hmm, makes sense haha might give that a go next time. I was going to bring 2 tripods for the flashes, and there was one section I so badly wanted it for the camera for a sequence photo. But I somehow managed to forget them. Woops.you can drop the shutter speed if you use flashes, the quick burst of light is enough to freeze the rider.
maybe even use a tripod? can't say I've ever used one for riding shots, but it might help in those dark situations...
500 is not a native ISO. Use native ISO settings - 100, 200, 400, 800, 1600 etc... The non-native sensitivities (250, 320 etc) are faked by the processor and as such actually contribute to lesser IQ. For example, your ISO 500 setting would have been disproportionately more noisy than 400, and pretty similar to the noise you would get at 800. Don't be afraid to push your 40D (?) to 800 and even 1600 at a pinch.I think I had it on 500 haha, I get scared I'm gonna wreck the photo when I play with ISO settings only time I felt comfortable was those gig shots haha. I think I might do a couple with higher ISO next time if you reckon though.
Andrew has highlighted a very important point, that any ISO in between these settings is basically just digitized. Although it might seem to make sense to shoot at ISO500, you might as well shoot at 800, the noise levels will be the same.500 is not a native ISO. Use native ISO settings - 100, 200, 400, 800, 1600 etc... The non-native sensitivities (250, 320 etc) are faked by the processor and as such actually contribute to lesser IQ. For example, your ISO 500 setting would have been disproportionately more noisy than 400, and pretty similar to the noise you would get at 800. Don't be afraid to push your 40D (?) to 800 and even 1600 at a pinch.